Academy of Couture Art’s 2010 Collide Grand Fashion Show Gala was definitely a breakthrough fashion event.
I was able to attend the show after having been anticipating the event for weeks. I’d heard about it through a friend and wanted to follow up to learn more about what an Haute Couture Fashion Show could actually mean for the American fashion industry. Now I’m realizing it means revitalization, promise, a new cutting-edge, and inspiration. I was truly inspired.
Sonia and Thierry Ete, CEO and COO respectively, are passionate and vision-driven leaders of this fast-emerging Haute Couture movement in America. Michelle Myers, the Director of Admissions, introduced me to them and was very generous with her time and knowledge about this work as well. I had been able to reach both of them before the event to ask them to shed some light on the importance of organizing an event like this. This event incorporated the fine art of fashion (Haute Couture) with the art of drama (actors and actresses) and the fine art of music (Red Violinist), as well as introducing these art forms to royalty (Princesses and Baronesses). I learned that it was crucial to re-introduce Haute Couture fashion to America through an event that represents it as a distinctive fine art among and alongside other influential art forms. Art inspires art, and art, in turn, inspires society and culture. Thierry Ete told me this about Academy of Couture Art’s aspirations for its students, “Haute Couture creates major statements and identities through clothing. It’s an expression of the soul, and an even more significant statement of a human being. It’s expressing the magnificence and purpose of your existence. This allows our students to realize they have an important piece of the puzzle: a deep connection to their creative mind that is also serving the community and creating a legacy. They are enhancing and multiplying the most important truths about the human purpose.”
The impact of Haute Couture is that it’s the highest of fashion technique. Until Academy of Couture Art, this level of fashion education was not even available in America. And I think everyone will agree, with the pervasiveness of sportswear and the fact that most high-end designers are being imported, America is in obvious need of its own capability to create, produce, and have a presence in luxury fashion. After seeing what I saw from the Academy’s Grand Fashion Show, I’m finally believing this could be an answer to break the cycle.
The garments I saw coming down the runway were timeless, beautiful, each with its own personality and presence. I was grateful to these young designers for putting their minds and hands to garments fresh and original, each with a dedication to the highest of quality and craftsmanship. Some standout designs were Boris Ramos’ creations of navy, lace, and apple green, flowing and swirling their flawless fit. Also, Angela Chuy’s pink creampuff bubble dress prancing down the runway with tiny white shorts just peeking out from under. I love these personal identities coming through, both from the designers and on the models.
For a premier fashion show, Academy of Couture Art’s 2010 Collide Grand Fashion Show Gala exceeded my expectations. And ACA’s next fashion show, I can assure you, I am anxiously awaiting.